Into the Vortex: Diving Where the Ocean Races

Skookumchuck. The name itself feels ancient, spat from the jaws of some tidal deity. Derived from the Chinook Jargon meaning "strong water," it encapsulates an experience far beyond mere nomenclature. This is not simply a strait or a channel; it is a crucible where the ocean tests its mettle, a vortex where logic bends and time slackens. Every six hours, the sea empties and fills again, as if taking titanic gulps, and those who dare to drift here are swallowed into its breathless churn.

Not a ripple pool. Not a place of idleness. No human hand could ever craft such a phenomenon, nor adequately prepare for it. One does not dive Skookumchuck as one would any tranquil cove. One is devoured by it. Yet there lies the allure.

Beneath its treacherous veil lies an ecosystem so resplendent, so chaotically vivid, that it defies expectation. The Skook is less a dive site and more a phantasmagoria—a spinning, pulsing cathedral of living pigment. There is no hush here. No serenity. Only cadence, color, and crushing pressure.

Riding the Arterial Surge of the Salish Sea

At the heart of the Pacific Northwest lies this arterial surge, the Skookumchuck Narrows—a strait that inhales and exhales the very lungs of the ocean. Between Sechelt Inlet and Jervis Inlet, it acts as a planetary diaphragm, pumping saltwater at velocities that would terrify any mariner. The hydrology is brutal and brilliant. Tidal fluctuations cause pressure gradients so severe that they compress reality into tight swirls, drawing the surface into standing waves sometimes towering over two meters.

Those waves are more than just aquatic spectacle. They are a signal, a call to those who understand the ocean’s secret dialect. For in the eye of that chaos is a brief peace—a slack tide, when Neptune himself exhales. It’s in that silence, measured in heartbeats, that a descent becomes possible.

To enter here is to abandon terrestrial instinct. You must yield to rhythms older than language. There is no anchoring, no simple descent. Your entry is like being whispered into the folds of an ancient book, one written in pressure, pigment, and persistence.

The Ecclesiastical Color of Life Beneath Havoc

What thrives here is not tame. It is wild, grotesque, flamboyant. There are no soft pastels. Everything screams. Sponges fuse into tangled tapestries of mustard, wine, and ink. Anemones blaze with impossible crimsons, locked in permanent sway. Bryozoans, colonial and cunning, weave themselves over bare stone like burnished embroidery.

Life here doesn’t just cling; it exults. These organisms are architects of fragility, sculptors of necessity. They sip from the ocean’s arteries and turn current into color. This isn’t just biology—it’s symphony. The tempo is set by the moon, the notes sung by creatures with no mouths.

The Conductor of the Deep — Kal Helyar’s Tidal Mastery

To navigate this realm requires more than skill. It demands reverence. Kal Helyar, the stoic maestro of Porpoise Bay Charters, is not just a captain—he is a prophet of the sea’s most clandestine moods. With a gaze that parses turbulence and breathes in weather like prophecy, Kal does not merely ferry divers; he ushers them into myth.

His timing is surgical. One misstep, and a dive becomes an ordeal. But Kal, with his decades of ritual and intuition, understands when the Skook softens her roar. On this rare April day—where lunar timing and spring light converged—a gateway flickered open. For the first time in nearly half a decade, the elements aligned. And though the sun did not blaze down, clarity still reigned. An algal bloom stained the water in cinematic shades of jade and jadeite, casting everything in a bioluminescent dreamscape.

The Choreography of Buoyancy and Surrender

Descent here is not conquest. It is capitulation.

You do not kick, you do not command. You drift, suspended in a vacuum of motion where your body is no longer your own. You are puppet and dancer, pulled by currents older than your species. Each movement is preordained, dictated by hydrodynamic scripture. Yet in this surrender, there is harmony.

To float neutrally buoyant amid this chaotic current is to waltz with something divine. The tide holds you, tests you, whirls you in pirouettes of pressure and drift. And if you are still enough, if your breath matches the Skook’s inhale, you see it—not just the riot of life, but your own place among it. You are not observer. You are not visitor. You are one of them.

Emerald Shroud and Electric Silence

There is a silence here, but not the silence of emptiness. This is electric silence—vibrating with potential and suspended tension. The algal bloom that masked the sunlight lent the dive an ethereal edge. Shadows danced with chlorophyll hues, and everything—every sponge, every fish, every twist of kelp—glowed with inner light.

It was not darkness. It was theater.

Like diving into the memory of a forest, everything shimmered with mystery. Rockfish hovered like sentinels, solemn and gold-eyed. Scallops fluttered their edges in silent applause. Even the jellyfish moved differently—less like drifters, more like courtiers. It felt as if we’d intruded upon some ritual older than bone, cloaked in chlorophyll and silence.

Anemones, Armor, and the Mathematics of Holding On

Nowhere else does the physics of holding on become such art. In Skookumchuck, real estate is precious and dangerous. A few millimeters too high, and you are erased. So, the creatures here obey geometric precision. Anemones flatten against rock in radial perfection. Encrusting sponges weave themselves into zero-profile forms. Even the nudibranchs crawl with mathematical restraint.

Every inch of rock is a calculated wager between visibility and annihilation.

And yet, in this pressure-cooked world, beauty is not sacrificed—it’s amplified. The lack of sprawl only intensifies the saturation. Each polyp, each tendril, is vivid beyond belief. Evolution has not dulled these organisms—it has burnished them.

The Diver as Witness, Not Hero

One of the greatest lies is that humans can master nature. At Skookumchuck, that notion is dismantled. You are not a pioneer. You are not a dominator. You are a speck of sentient driftwood, lucky enough to pass through unscathed.

You carry no banner, make no mark. Your fins leave no trace, your breath is swallowed. What you take away is not conquest, but reverence.

It is easy to romanticize adventure—to frame it as bravado and bravery. But true immersion here humbles the soul. It replaces swagger with stillness. It turns pulse into prayer.

A Pilgrimage Worth the Risk

So why come?

Why risk the undertow, the whirlpools, the narrowing gate of time? Why flirt with a place that has stripped ships and scattered lives?

Because once in a great while, when moons align and a human heart is quiet enough to listen, the Skook opens. It does not welcome. It does not beckon. But it allows.

And in that fleeting permission, you see what the planet hides from ordinary eyes—a biome painted by chaos and survival, screaming with beauty.

Skookumchuck is not a destination. It is a reckoning.

The Ritual of Descent — Preparing for the Dance of Currents

It begins with snow.
Not always. But for us, it did.

White flakes floated in delicate disarray, pirouetting from a low-slung pewter sky. We stood like solemn votaries upon the deck of a vessel moored in Egmont’s icy inlet, where the Pacific’s pulse was slow, deliberate, and chillingly serene. The snow fell like the ash of extinguished stars—an omen, a benediction, a warning.

Out here, preparation was not an act; it was a rite.

Layer by layer, we cocooned ourselves in the modern-day vestments of descent. Thermals clung like silk under skin. The drysuit zipped up with finality, sealing us in like monks in cell-bound silence. Double tanks clinked like ancient relics, each valve and gauge a whisper of pressure and time. Gloves were tugged tight, thick as bear hide, fingers flexing with the rhythm of ritual.

There is no casual dipping here—no crystalline shallows, no sandy-bottomed leisure. The Pacific Northwest does not coax; it summons. With severity. With grace. With a strength so unapologetic it commands reverence.

The Benediction of Preparation

Many presume that readiness is a function of equipment—of lenses dialed in and batteries charged. But that assumption is juvenile. True preparation lies in psychological stillness. A quieting. A surrender.

In these waters, there are no second chances. The passage between tranquility and pandemonium is a narrow isthmus—measured in breaths, not hours. One must heed the cycles. The barometric hymn of tide tables. The celestial tug of moon and salt. Arrive too soon and you wait in idle peril; too late and you are flung against stone like an unworthy supplicant.

We waited. We breathed. And when the time arrived, we moved like ghosts—silent, slow, synced.

The Descent Begins

Entry was not explosive. It was whispered. A backwards slip, a gentle roll. Cold water embraced us with sentient force, pressing in around our temples, our spines, our ribs. It was not pain—it was awakening. The temperature stripped away ego and urgency. We were no longer explorers. We were initiates.

With calibrated control, we began our descent down the vertical colossus of the fjord wall. It loomed beside us—a cathedral of basalt and coraline dreams. Centuries of sediment clung to crevices like forgotten prayers. Barnacles crowded every surface, each one a citadel of hunger and survival.

The current was murmuring, not yet roaring. We clung to barren stone with two gloved fingers, careful never to disturb the colonies of life that painted the surface. Every motion was choreographed. Every kick restrained. Down here, flamboyance is foolishness.

We moved in slow suspension, watching the wall unfold like a medieval tapestry. Metridiums swayed like monks in saffron robes, their tentacles furling and unfurling in perpetual devotion. As we passed deeper, the palette shifted—blood-orange sponges, lavender hydroids, patches of ghostly tunicates that shimmered like opals caught mid-exhale.

Then, a stark divide.

We crossed into an abyssal threshold where the wall had been scoured clean by whirlpools of raw kinetic wrath. There, nothing grew. Not even algae dared anchor. It was a wound in the living rock, pale and unadorned. A cautionary tale etched in silence.

The Pulse of the Tide

Time unraveled. No clocks ticked. No light pierced in straight lines. All that existed was motion and stasis, each battling the other in a primordial duel. We hovered, weightless monks, breath throttled to a whisper, minds lucid as we scanned the ink-hued vastness for the first sign of change.

And then, it came.

The water shifted. Imperceptible at first, like the exhale before a storm cry. A feather-light nudge became a persistent tug. The tide had begun its return.

There is no resisting it. To fight is to fail. So we yielded.

The current took us. Not as captives—but as co-conspirators. It carried us along the face of the wall, past forests of plumose anemones and clouds of shrimp swirling like confetti in a gale. Nudibranchs clung to kelp like jeweled specters, their cerata catching flashes of strobe as we glided by.

The Dance of Currents

This was no swim. This was ballet. Every tilt of fin and flick of wrist redirected our path with surgical finesse. Communication was silent—eye contact, hand gestures, the flicker of a strobe against a mask.

Our tools had long since been set. Settings adjusted. Angles predicted. There was no time for fumbling. The tide waits for no mortal. It is a clock without forgiveness.

Yet in the maelstrom, clarity. The chaos became art. The turbulence, a tempo.

In a brief reprieve behind a ledge, we hovered motionless, watching a wolf eel drift from its den with dreamlike grace. Its face, gnarled as old driftwood, turned toward us in solemn indifference. A creature born of shadows, sculpted by time and current.

Moments later, we were torn away, carried into an alley of rock and silt where visibility collapsed to inches. Finned creatures flitted through the muck—sculpins, pipefish, and the occasional flash of a lingcod, regal and ruthless. The world was veiled and unknowable.

And still we danced.

Communion with the Unseen

What draws us to this madness?

It is not conquest. Nor spectacle. It is communion.

Out here, in this realm of flux and fragment, ego dissolves. You are not an observer; you are part of the pageant. The creatures do not pose. The currents do not pause. The environment owes you nothing. And therein lies the beauty.

Each dive is a conversation with forces that do not speak our language. Each pass down the wall is a poem written in ink that dissolves seconds after it’s composed. You leave no trace. You carry no trophy. Only memory. Only awe.

The Return from Below

Eventually, ascent begins—not from desire but necessity. Air gauges speak truths that lungs cannot ignore.

We rose slowly, deliberately, performing our final ritual: the safety stop. Suspended in the mid-blue ether, we drifted like thoughts unspoken, watching the surface ripple far above.

Snow still fell. Now beneath us. As if the sea, too, had learned how to dream in winter.

Breaking the surface is rebirth. Cold air on wet skin. Gravity reclaiming limbs grown too used to weightlessness. The boat appeared like a relic of another world. Climbing aboard was awkward, jarring—a return from something sacred to something mundane.

In the days that follow, the body remembers.

Your muscles ache not from effort but from stillness held too long. Your mind replays the descent in cinematic fragments. You close your eyes and see metridiums waving like prophets. You remember the sound of nothingness and the way your heart beat against the pressure.

You scroll through images—raw, chaotic, strange. None of them capture it. Not really. They are not windows; they are relics. Tokens of a pilgrimage few will ever undertake.

Because what we did was not recreation. It was ritual. A descent not into water, but into wonder. And as rituals go, it never truly ends. The current still dances. The wall still waits. So do we.

Tapestries in Turbulence — Finding Stillness in the Storm

There exists a moment—so slight, so elusive—that trembles between chaos and calm. It is not a place, nor a sound, but a pulse of being. A phenomenon caught in eddies of time and tide. That moment, I found, blooms only in the tumbling embrace of Skookumchuck Narrows.

Where Current Becomes Composer

Skookumchuck means “strong water,” a name that humbles the most audacious of explorers. But within this watery tumult, serenity is not a contradiction—it is the reward. Here, movement begets stillness. One does not battle the flow; one yields to it, and in that yielding, is transfigured.

The tide does not ask permission. It returns with vigor, reshaping stone and will alike. What seems at first like chaos is, upon surrender, orchestration. You drift, yes—but it is not aimless. The water carries you like a whispered command. The deeper truth? Control is illusion. Peace is not in resistance, but in release.

Becoming the Invisible Guest

We slipped quietly into the current, shrouded in silt and silence. What began as mere observation dissolved into symbiosis. Our weightless forms no longer startled the world we entered. We became notes in a larger symphony, dissolving into the environment rather than disrupting it.

Fields of anemones fluttered beside us, each tendril waving in time with unseen rhythms. Above us, writhing strands of bull kelp traced chaotic calligraphy into the water column, their language legible only to the ocean.

In this current of momentum, the reef pulsed with quiet life. A Puget Sound king crab stood like a fossilized monarch, unmoved by time. He was not alarmed by our presence. He did not need to be. In the domain of the current, he reigned.

Every Boulder a Codex

The wall we drifted along was not mere rock. It was a manuscript—etched and layered by millennia of sea and salt. One could almost hear it whisper. Bright sponges bloomed from ridges like spilled paint, their shapes sculptural, decadent. Sea stars clustered in starburst formations, clinging as if to hold themselves together against the tug of the sea.

In one crevice, I glimpsed the glinting shell of a decorated warbonnet, its fin tips gently swaying. It eyed us but did not flinch. It knew we were passengers here, transient and weightless.

Every contour of stone, every outcrop and overhang, held a story not meant to be spoken. Only felt. And in that feeling, there was a stunning sense of reverence.

The Desolate and the Divine

Not all was life. Some sections of the wall were scoured clean, stripped to bare granite by the relentless force of moving tides. These were not voids but memorials—etched by velocity and time. They reminded us that the sea forgets nothing. And even in these barren patches, hope had begun its quiet reclamation. Tiny barnacles, no larger than pinheads, dotted the surfaces like braille. Life, always persistent, was writing itself anew.

These moments, gliding past memory and rebirth, were not passive. They were visceral, almost devotional. One did not observe from above but from within. It was like reading scripture written in salt.

Soundless Reverie

The most arresting sensation wasn’t what we saw—it was what we didn’t hear. The roar of the current did not exist in decibels. It existed in sensation. Our breathing apparatus hummed like distant insect song. The only punctuation came from our flash triggers—brief, brilliant stabs of artificial lightning.

But even this technology bowed to the moment. It illuminated, yes, but could not compete with the natural chiaroscuro around us. Light filtered through the surface above in waving tessellations, casting shadows like latticework across the rockface. Even darkness had structure.

Harmony in Motion

For those few fleeting minutes, time diluted. The current was not fast or slow—it was precise. Like an unseen maestro, it conducted the pace of our descent, our gaze, our journey. We didn’t swim; we were swum.

At one point, a small school of perch joined us, seemingly unbothered by our bulk. They turned when we turned, flanked us as though we were part of their ritual. It was not mimicry. It was choreography.

Even the flora obeyed this rhythm. Kelp bowed in long arabesques. Plumes of sea pens bent and rebounded like dancers warming up. Every organism was in concert. And in our rarest moments of stillness, we were too.

The Cove of Glass

As we reached the terminus, the wall curved inward like the end of a sentence. The surging cadence stilled. The water transformed—mirror-flat, hushed. A cove opened before us, and its serenity struck with the subtlety of thunder.

The sudden quiet was jarring. For a heartbeat, we hesitated, disoriented by the absence of momentum. The pull was gone. We hovered over a garden of green urchins, their spines soft-looking despite their danger. Like scattered emerald brooches, they carpeted the seafloor.

There was no need to move. Everything was still. Even the fish seemed reluctant to disturb the hush. It was as if the world had paused in its orbit. And in that pause, we exhaled.

More Than a Memory

The cove marked the end of the passage, but not of the experience. Even now, I can close my eyes and hear that silence. Feel that slow drift. Recall the warbonnet’s unwavering gaze. These impressions have outlasted the dive. They remain stitched into the fabric of who I am.

In our lives, we rarely surrender. We push. We strive. We chart. But in Skookumchuck, we yielded—and found something richer. We found equilibrium.

An Immersion Beyond Seeing

What occurs in these salt-streaked corridors cannot be captured in any traditional sense. It is not visual. It is cellular. A kind of slow alchemy alters your perception of what it means to witness. This is not a spectacle—it is a transformation.

Even now, recounting it feels insufficient. Words are inadequate translators. Language stumbles where sensation reigns. I could describe the hue of a sponge, or the sway of a fish’s fin—but I cannot convey what it feels like to be absorbed into the living vein of the ocean.

We were not explorers. Not observers. Not record-keepers.

We were part of the bloodstream.

Lessons from the Deep

This realm of tides and silence does not instruct with words. It teaches by pulling, by pressing, by demanding trust. In a world that rewards control, Skookumchuck rewards surrender.

And perhaps that’s the most precious lesson: that serenity does not always bloom in stillness. Sometimes, it reveals itself only in motion. In allowing oneself to be carried. To stop steering. To become something smaller, something quieter—and in doing so, something infinitely larger.

Long after the salt has dried and the gear has been stowed, that feeling lingers. Not the adrenaline. Not the novelty. But the deep, marrow-carved understanding that stillness can be found in surrender.

Not just in Skookumchuck. But anywhere. Anywhere you let go. Anywhere you listen to the world’s rhythm instead of forcing your own. Anywhere you stop clinging to the surface—and allow yourself to drift into the depths.

Mastering the Flow — Navigating the Art and Science of High-Speed Diving

To move through a realm sculpted by sixteen-knot currents is to surrender and strategize in equal measure. Here, the laws of stillness do not apply. Everything is in flux—boulders colonized by filter feeders, kelp forests undulating like silk in the wind, and creatures clinging to rock with ancient desperation. To master this milieu is not to dominate it. Mastery here is metamorphosis—into fluidity, into finesse, into instinct honed by repetition and reverence.

There are no shortcuts. Only the quiet evolution of method through failure, through recalibration, through silent hours spent hovering beside rock ledges where oxygen roars and silence rings. It is not so much about conquering the flow, but learning to compose oneself inside it.

The Ground Beneath You — Why Low is Your Stronghold

When faced with relentless horizontal thrust, your first strategy must be proximity. The seabed, often disregarded in calmer climes, becomes your truest ally. Just as crustose coralline algae cement themselves against the current’s scourge, so too must you flatten your profile.

This isn’t merely about hiding from a storm. It’s tactical invisibility. A spine against the sand, a shoulder tucked behind sponge-crusted stone—it reduces resistance. It makes you less of a sail, more of a shadow.

On vertical terrain, this principle becomes more nuanced. The dark sides of pinnacles and coral stacks offer a brief reprieve—a vacuum of stillness in a world gone manic. Let the rock be your refuge. Let shadow become strategy.

Touch Like a Whisper — Anchoring with Precision

Contact with the reef is often taboo for good reason. But in the tempestuous ballet of high-speed flow, a single touch can be the difference between grace and catastrophe. The key lies in subtlety. One or two fingers on a barren patch of basalt. A knuckle braced against limestone. These are not invasions; they are fleeting partnerships.

Never grasp. Never cling. Touch with the precision of a calligrapher. Make your contact purposeful, ephemeral. Use your limbs not to flail, but to finesse. There is no place here for chaos. Only choreography.

The reef, like a sentient being, responds best to gentleness. Respect is not a rule—it is survival.

Preparation as Liberation — Know Before You Flow

Entering a rapid marine channel is not the time for indecision. Your settings must already be dialed in. Your configuration should be second nature. Fiddling with aperture rings or dials mid-surge is as futile as painting in a hurricane.

Preparation, in this world, is not about caution. It is about clarity. It liberates your mind to focus on fluidity, on rhythm, on timing your movements with the current’s heartbeat.

Know your light. Set your angle. Visualize your route. Like a kayaker reading whitewater before launch, your success depends on prescience, not reaction.

Illumination Is Survival — Bring the Light

In high-flow corridors, ambient radiance vanishes. Particulate clouds—plankton, detritus, diatom chains—scatter sunlight into oblivion. Without artificial light, visibility collapses. Shapes dissolve. Partners disappear.

Your beam is not just for artistic clarity. It’s your beacon. Your signal. Your communion with the others traversing this liquid gale.

And it must be reliable. Double o-ring sealed. Burn-tested. Positioned to cut through turbidity like a scalpel through silk. Light in these spaces is not decoration. It’s direction. It’s dignity. It’s safety.

Breath is Your Balancer — The Buoyancy of Stillness

When the currents rise and fall with hydraulic violence, you must become your own stabilizer. Your jacket may inflate, your fins may flutter—but the most crucial tool is within you.

Your lungs are your ballast tanks. Inhale and rise. Exhale and settle. This modulation, when practiced, becomes more precise than any gear could ever replicate.

And in places where thermoclines whip past your mask and pressure swells without warning, only breath can save you. It is both rudder and brake. Learn to use it like a language—spoken not in words, but in measured expansion and surrender.

To Let Go is to Endure — The Drift as Devotion

There comes a point when resistance becomes absurd. When holding fast is not bravery but obstinacy. In that moment, the true practitioner releases.

This is not about defeat. It is about comprehension. About understanding when to yield. When to float instead of fight. When to trust the current will not consume you, but carry you to a broader vista.

Letting go is not recklessness. It is reverence. It is knowing that your presence is temporary, and your grasp on control always illusory.

To drift is not to be lost. It is to explore without a compass. To witness without needing to define.

Where Few Dare — A Dance Inside Skookumchuck

Skookumchuck Narrows is no place for the timid. This inlet, hemmed by steep fjords and thick with tidal constriction, delivers a ferocity that borders on mythic. Water accelerates here to a scream. Eddies boil. Whirlpool mouths yawn open and close.

And yet, within this cyclone of salt and stone, a fragile empire endures. Nudibranchs in baroque colorways inch forward undeterred. Anemones the size of dinner plates sway with improbable elegance. Lingcod hover like ghosts among the kelp.

Here, I have hovered, heart pounding, as walls of green churned past in delirium. I have clung to shadows, counting breaths, waiting for a slack that never truly arrives.

But in those seconds—those silver stitches between mayhem—I have seen miracles.

The Anatomy of Adaptation — How Life Clings and Thrives

Nothing here survives by accident. Everything is built for the gale. Limbs are stubby. Shells are reinforced. Even flora wraps tightly, like monks in ritual robes.

This is evolution with its teeth bared. A masterclass in resilience. Where color isn’t just for beauty—it’s camouflage. Where movement is minimized, not celebrated. Where survival is the true performance art.

And yet, it is not bleak. It is radiant. In the struggle, there is poetry. In the hardship, astonishing vibrance. Life here does not hide. It broadcasts its audacity with every pulsating polyp and every crimson sea star nestled in crevices.

Moments Between Motion — Finding Stillness in Surge

Stillness in flow is a paradox. But it exists. Not in long stretches, but in fractions. A lull between pulses. A backward swing of current just before the push.

These are your moments. You must learn to feel them—not see them. They don’t appear to the impatient. Only to those who listen with every cell.

When they come, use them. Frame. Observe. Capture. Breathe.

Then let them pass. And wait again.

Mastery is not about always acting. It is about timing. About knowing the cadence of the sea’s fury, and moving within its rhythm.

The Philosophy of Immersion — You Are Not the Story

Perhaps the deepest lesson from these fast-flowing sanctuaries is this: you are not the protagonist.

This is not your theater. These are not your stages. You are not here to extract. You are here to engage—with awe, with restraint, with humility.

Observation is not passive. It is active reverence. To float beside a cloud sponge while shrimp shelter within is to bear witness to choreography older than language.

Do not interfere. Do not impose. Float quietly. Learn silently.

The sea tells its stories not for your applause, but for its own continuation.

Conclusion

What remains with me are not just techniques, not just strategies for stability. What endures is the voice of the current itself.

It says: remain humble. Be light. Be prepared. Let go when needed. And above all—adapt.

To dive in fast flow is not simply an act of exploration. It is transformation. You emerge changed. Softer, perhaps. Sharper, too. You begin to recognize that mastery is not a destination but a continual surrender.

And in that surrender, you become part of the liquid lore of this world.

A witness to its tempestuous grace.

A whisper within its torrent.

A speck of breath in the spiral of green.

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