Powerful. Striking. Compelling. These are the first words that come to mind when viewing the photographs of Janelia Mould, who works under the pseudonym Cheeky Ingelosi. As a self-taught conceptual photographer from South Africa, she has taken one of society's most misunderstood subjects—depression—and turned it into a visually immersive and viral artistic experience. Her project, Melancholy – a Girl Called Depression, is not only an exploration of emotional darkness but a redefining of self-portraiture, using her own body, story, and vision as both subject and medium. The results are both haunting and healing.
Becoming the Artist
Janelia’s journey into photography was not born in formal education but rather shaped by a fascination that began in her youth. She had long been experimenting with photography when digital cameras and editing software further ignited her curiosity. The pivotal moment arrived when she discovered the work of Brooke Shaden on YouTube. Overwhelmed by inspiration, she reached for the DSLR camera gifted to her by her husband—a gift once shelved in uncertainty—and began her creative mission in earnest.
This rebirth as a photographer was not facilitated by institutions but by self-guided passion and the generosity of online communities. Janelia acknowledges the countless tutorials shared on digital platforms, which empowered her to learn through trial and error. The freedom of experimentation allowed her to build an intimate, unconventional approach to art. And while her original intent was never commercial, her photography gradually transformed into a source of income. She remains grounded in the understanding that success in any artistic career demands time, dedication, and an unwavering belief in the value of one’s message.
The Name Behind the Lens
Her pseudonym, Cheeky Ingelosi, is more than just a creative alias. It’s a reflection of her identity and philosophy. The name combines the word "cheeky," representing her outspoken nature, with "Ingelosi," the Zulu word for angel. It is a fitting metaphor for a woman who uses her voice—and her lens—to address sensitive social issues with sincerity and compassion. Her art becomes a means of confrontation and healing, raw yet tender, bold yet vulnerable. For Janelia, photography is not simply a form of self-expression but a platform for emotional truth. Whether confronting social injustice or exploring personal trauma, she does so with unwavering authenticity.
Artistry and Recognition
Recognition eventually followed her work, and though she acknowledges the honor of having her photographs published in reputable publications, she does not dwell on accolades. For her, artistic growth means moving from one vision to the next, driven by curiosity and inner exploration. She identifies as a digital artist who uses her own photographs to tell visual stories. The camera is her tool, but imagination is the true medium. Janelia’s imagery is unmistakably surreal, often haunting, with a deeply psychological edge. Her self-portraits blur the line between dream and reality, emotion and environment.
Her sources of inspiration are diverse. With a lifelong love for horror films, the paranormal, and esoteric philosophies, her creative mind is rich with symbols and motifs. She draws from poems, public figures, animal rights, and human suffering. Every piece is a tapestry of layered meaning. And in a world that often undervalues emotional complexity, her photographs command attention by visualizing it with fearless honesty.
A Love for the Old and Forgotten
Vintage clothing plays a key role in her work. These garments, carefully collected over time, carry their own mysterious narratives. A wedding dress from another era. A nightgown, perhaps worn in birth or death. In her eyes, these items are not merely props but relics of memory and emotion. They enhance the storytelling aspect of her photographs, adding texture and soul to each image. Janelia wonders about their past owners, imagining the joy or sorrow embedded in their fibers. Her camera doesn't just capture an image; it channels a connection between past lives and present emotion.
Unveiling the Process
Janelia’s process is entirely self-contained. She is, in her own words, a one-woman show. From concept to execution, every photograph is born from solitary creativity. She acts as the model, the photographer, the stylist, and the post-production editor. The idea begins in her mind—an image, a sensation, or a thought. Then she selects a costume, prepares her background, and uses a green screen or shoots on location. Her Canon DSLR, a tripod, and a remote control are her only assistants. Once the image is captured, she begins the editing phase, her favorite part of the journey. Editing can take anywhere from five hours to two full days, depending on the emotional and visual intricacy of the work. During post-processing, she loses all sense of time, surrendering herself completely to the flow of artistic transformation.
The Unexpected Path
One of the most surprising elements of Janelia’s creative process is how uncertain it often is. She admits that the final result rarely mirrors the original vision exactly. Sometimes it’s close, other times it evolves into something entirely unexpected. But that’s what makes it beautiful—a spontaneous unfolding, guided by intuition and emotion rather than rigid planning. Each piece is a visual journey through uncertainty, echoing the very emotions she portrays in her art.
The Moments That Matter
For Janelia, the most rewarding moment as an artist is when someone truly connects with her work. When a viewer sees an image and simply "gets it"—not through intellectual analysis, but emotional resonance—that is the moment that matters most. Recognition by institutions is fleeting. Emotional connection is timeless. It is in those small but meaningful reactions that her art fulfills its highest purpose.
To the Dreamers and Doubters
Janelia’s advice to aspiring photographers is refreshingly simple: pick up the camera and start. Let go of fear. Experiment relentlessly. Watch tutorials. Don’t compare your work to others. Focus on the joy of creating, and the rest will follow. Every artist has their own path, their own tempo. The key is to listen to your own creative voice, not the noise around you.
To those struggling to define their style, her message is equally empowering: Your style is already inside you. It will emerge when you allow yourself to be honest and unfiltered. Style isn’t invented—it’s revealed through the act of persistent, personal creation. The more you express, the more your voice will become clear. And eventually, it won’t be a matter of finding your style—it will simply be a matter of recognizing it.
Healing Through the Lens
At its core, Janelia Mould’s journey is a testament to the healing power of art. What began as a private struggle evolved into a public statement. What once was pain has become poetry. Through the headless woman in her images, she gives a face to the faceless, a voice to the silent, and light to the hidden corners of depression. In doing so, she not only redefines conceptual photography—she reclaims her own narrative and helps others feel less alone.
Exploring the Unseen: The Concept Behind Melancholy
In her deeply evocative series, Melancholy – a Girl Called Depression, Janelia Mould peels back the layers of a mental illness often cloaked in silence. This body of work is a visual diary—a collection of thoughts, feelings, and states of being captured not in words, but in haunting images that depict the emotional paralysis of depression. It is both artistic exploration and therapeutic revelation. What makes the series particularly powerful is that Janelia does not distance herself from the subject. She lives it, embodies it, and confronts it, using her own experience to craft each frame. The result is a collection of images that are raw, unapologetic, and brimming with emotional resonance.
The Headless Woman: A Symbol of Disconnection
The most striking and memorable motif in the series is the headless woman. This recurring image is not simply a stylistic choice; it is a metaphor for the emotional fragmentation that depression inflicts. By removing her own head in the images, Janelia symbolically removes identity, clarity, and control—three things often lost in the fog of mental illness. The absence of the head suggests an overwhelming sense of disorientation. It portrays a loss of self, the fading of personality, the dulling of cognition, and the silencing of voice.
This visual decision also creates a space for viewers to insert themselves into the image. Without a specific face to identify, the character becomes universal. Anyone who has experienced depression can project their own emotions, struggles, or memories onto the faceless figure. In this way, the headless woman does not alienate viewers but instead invites them into a shared emotional experience. The missing head also alludes to the internal nature of depression—how much of it happens within, hidden from the external world.
Turning Inward: Depression as Isolation
Janelia’s images are often set in enclosed or seemingly suspended spaces—an old room, a wooded path, a narrow corridor, or a desolate field. These locations mirror the claustrophobic, isolating effects of depression. They create the visual illusion of being trapped within one's own mind, surrounded by invisible walls of numbness or fear. The colors in these scenes are usually muted, the lighting dim or diffused, suggesting a world without sharp contrasts or emotional highs. Everything blends into shades of grey, brown, and blue, echoing the emotional flatness many feel during depressive episodes.
Her characters appear to float, sink, or collapse. Their limbs are heavy, their bodies curled or limp. There is no energy or purpose to their posture, only surrender. Each photo speaks to the physical lethargy and mental heaviness that depression imposes. Through these compositions, Janelia exposes what is often hidden behind smiling faces or social masks. The person struggling may seem fine on the outside, but inside, they are suspended in a haze of exhaustion, self-doubt, and isolation.
A Personal Struggle Shared Through Art
Janelia’s decision to feature herself in all the images adds another dimension of vulnerability. These are not dramatizations using hired models. These are her own experiences made visible. Every photograph is a confrontation with her illness, with society’s perception of mental health, and with herself. The creative process, for her, is not only about making art but about making sense of what she feels.
She describes the project as therapeutic, a way of giving shape and substance to emotions that often go unnamed. By transforming her internal reality into a visual narrative, she creates a language that others can understand, regardless of their own personal experiences with depression. It’s a conversation without words—one that resonates because of its honesty and intensity.
From Taboo to Viral: The Impact of the Series
When Janelia shared Melancholy – a Girl Called Depression online, she was not expecting the overwhelming response it received. The series went viral, was shared widely on social media, and featured in digital publications around the world. People connected deeply with the work—some because it mirrored their own battles, others because it helped them better understand the silent suffering of someone they loved.
The impact of this project lies in its emotional authenticity. While many portrayals of mental illness rely on clichés or dramatization, Janelia’s work is deeply personal and grounded in lived experience. Viewers responded not just to the aesthetic beauty of the photographs, but to the truth embedded within them. In this way, the project transcended the realm of art and became a tool for empathy, education, and emotional validation.
Many people reached out to thank her, telling her how seen and understood they felt after viewing the series. Others admitted they had never truly grasped what depression was like until they saw it visualized in her photographs. For Janelia, this was the most meaningful outcome—her pain had been transformed into something that could help others heal or understand.
Emotional Nuance Through Visual Composition
Each image in the series is carefully constructed to capture a specific emotional state. Some photographs convey loneliness, others hopelessness, and some express the silent scream of inner torment. Janelia uses props, wardrobe, and setting to enhance each emotion. A chair placed in the middle of an empty room becomes a metaphor for isolation. A mirror that reflects nothing suggests a fractured identity. Long, flowing gowns drape around her lifeless body, evoking a sense of being consumed or immobilized by emotional weight.
She plays with contrasts—light and shadow, movement and stillness, visibility and disappearance—to suggest the chaotic rhythm of depressive thought. One image might show the subject curled up in a fetal position on the floor, another with arms outstretched in a silent plea for help. These contrasting visuals mirror the unpredictable nature of depression itself. It is not one static emotion but a spectrum of states that vary in intensity and duration.
The Unspoken Reality of Mental Illness
One of the strongest aspects of Janelia’s project is its commitment to emotional truth. She refuses to glamorize or sanitize depression for the sake of aesthetic appeal. Her images are beautiful, yes, but they are also unsettling. This discomfort is intentional. She wants viewers to sit with the reality of what depression feels like—not just as an abstract concept but as a lived, embodied experience.
By doing this, she breaks the cultural tendency to dismiss or diminish mental illness. In many societies, depression is still viewed with suspicion or misunderstanding. People suffering from it are told to “cheer up,” “be grateful,” or “just get over it.” These dismissive attitudes can deepen a person’s isolation and discourage them from seeking help. Janelia’s work counters this by offering visibility to the invisible and giving emotional substance to something often ignored.
Vulnerability as Strength
A recurring theme in Janelia’s career is vulnerability. Whether she’s discussing her creative process or revealing her personal struggles, she does so with a disarming honesty. For her, vulnerability is not a weakness but a necessary part of artistic truth. She believes that only by being open about our imperfections and pain can we create meaningful, transformative work.
This belief is woven into every frame of Melancholy – a Girl Called Depression. The images do not hide behind metaphor—they embody it. The pain is not abstract—it is present, raw, and close. In revealing her most personal experiences, she gives permission for others to do the same. Vulnerability becomes a kind of power—a tool for connection and healing.
Creating Connection Through Discomfort
One of the paradoxes of Janelia’s series is that while the images are dark and unsettling, they create connection rather than alienation. People who have experienced depression often feel alone in their suffering, convinced that no one else could possibly understand. But when they see their inner world reflected in someone else’s art, that loneliness is broken. There is comfort in recognition, even if the subject matter is painful.
The images also create opportunities for dialogue between people who have experienced depression and those who haven’t. They offer a way to bridge the empathy gap. Rather than explaining the condition through clinical terms or statistics, Janelia invites viewers to feel it. This emotional engagement can spark conversations, shift perspectives, and inspire a deeper level of understanding.
Depression as a Shared Human Experience
While Melancholy – a Girl Called Depression is deeply personal, it is not confined to Janelia’s story alone. By removing her face from the images, she expands their reach. The faceless woman becomes a symbol of collective suffering. Anyone, regardless of age, gender, or background, can find a part of themselves in her. This universality is what gives the series its lasting impact.
Depression is often described as a lonely condition, but Janelia’s work reminds us that it is also tragically common. Her photographs become a silent chorus of shared pain—a visual reminder that we are not as alone as we think. In a world that often values appearances over authenticity, her art invites us to see—and be seen—in our truest emotional form.
The Anatomy of Artistic Process
To fully understand the power and precision of Melancholy – a Girl Called Depression, one must look at how Janelia Mould builds her photographs from the inside out. Each image begins as a mental snapshot, often rooted in a fleeting feeling, a recurring thought, or a memory she cannot shake. These raw emotions are then visualized in symbolic form through a process that is both deeply intuitive and meticulously executed. Her work relies heavily on mood, atmosphere, and metaphor. But beyond aesthetic choices, it is the ritual of creation—every step from ideation to editing—that allows her to unpack her emotional states. For Janelia, the act of making art is not only about producing beauty or receiving validation; it is an act of personal reckoning. Every photograph is a confrontation, a reflection, and at times, a surrender.
One-Woman Production House
What makes Janelia’s approach so unique is that she does everything herself. There is no assistant, no makeup artist, no second shooter, no post-production team. She is the creator, performer, and technician. This choice, whether intentional or circumstantial, creates a rare intimacy between the artist and the work. When she sets up a scene, she is choreographing her own pain. When she presses the shutter remotely, she is capturing a piece of her mental state. When she edits, she is sculpting emotional truth from visual fragments. The DIY nature of her production reinforces the emotional vulnerability of her content. It is a reminder that the work we do in solitude often bears the most authentic fruit.
Using the Body as a Canvas
Since Janelia appears in nearly every image of Melancholy – a Girl Called Depression, her own body becomes a central tool in her storytelling. She uses posture, gesture, and movement to express a spectrum of emotional states—from paralysis to resistance, fragility to quiet strength. The headless motif strips away her personal identity, allowing the body itself to become a universal vessel of human emotion. Her arms may dangle lifelessly. Her hands may press against an unseen weight. Her torso may twist in agony or curl into a ball of withdrawal. Every photograph speaks a physical language—one that communicates far more than words ever could. By presenting herself as fragmented or fading, she captures the essence of what depression does to the human spirit. It breaks the connection between thought and action, mind and body, self and world. And in presenting these disconnections visually, she offers a language for those who cannot find the words.
Costuming and Characterization
Integral to her process is the selection of wardrobe. Janelia is an avid collector of vintage dresses, many of which appear throughout the series. These pieces are not chosen for glamour or nostalgia but for their emotional weight. Each garment tells its own story—one imagined by Janelia as she pieces together the histories of the women who may have worn them. A wedding gown might hint at abandoned dreams. A tattered nightdress may echo loneliness. A corset may signify constraint. When Janelia puts on these clothes, she is not simply playing dress-up; she is stepping into layered identities. The garments act as a skin over her own, adding context to her expression and tension to her narrative. Their age, wear, and mystery become visual metaphors for the emotional states she embodies. By combining costume and posture, Janelia creates characters that are simultaneously foreign and familiar, strange and relatable.
Set Design as Emotional Landscape
The settings of her photographs serve as emotional landscapes—physical spaces that reflect the inner turmoil of the subject. Often sparse and gloomy, these environments suggest emotional abandonment. An empty attic. A dirt path between dead trees. A foggy field. Each place carries symbolic resonance. The isolation of the setting mirrors the isolation of the mind. There are no companions, no signs of comfort or safety. These are not just backdrops but extensions of the internal world. Even the lighting—often low, diffused, or barely visible—contributes to the sense of quiet despair. Through this harmony of place, clothing, and posture, Janelia transforms external elements into vessels of internal truth.
The Role of Editing and Manipulation
Once the photographs are taken, Janelia enters what she describes as her favorite part of the process: editing. For her, this is where the real magic happens. Using digital tools, she manipulates images with an emotional precision that few can match. It is not about perfection or glamour—it’s about mood, message, and emotion. Shadows are deepened to mirror despair. Colors are muted to reflect emotional numbness. Textures are added to convey heaviness. Sometimes surreal elements are introduced—a floating object, a duplicated figure, a blurred edge. These manipulations are never gimmicky; they are narrative devices. They allow her to shape each image into a visual poem. She often describes editing as a meditative state, a place where she loses track of time and becomes fully immersed in the act of transformation. In many ways, her digital workspace becomes her sanctuary, where pain is not just felt but reshaped, understood, and released.
Audience Interpretation and Emotional Dialogue
One of the most fascinating aspects of Melancholy – a Girl Called Depression is the way it invites viewers into emotional dialogue. Because the images are open to interpretation, each person who encounters them brings their own story to the experience. For someone who has battled depression, the images may feel like a mirror. For someone who hasn’t, they may open a window into the mind of a loved one. Janelia does not dictate what viewers should feel. She provides visual cues and emotional invitations. The rest is left to the viewer’s heart. Some interpret the headless figure as symbolic of emotional erasure. Others see her as a ghost of the self. Some feel sorrow. Others feel seen. This variety of interpretations does not dilute the message. It enhances it. Because depression itself is not one-size-fits-all. It is a complex spectrum of symptoms, stories, and survival. Janelia’s work respects this complexity by resisting narrow definitions. She offers her images like open doors—each leading somewhere different, depending on who walks through.
Vulnerability as an Ethical Commitment
In a world where vulnerability is often commodified, Janelia’s willingness to be emotionally exposed feels radical. She is not marketing her pain or curating it for sympathy. She is simply presenting it as it is—complicated, persistent, and occasionally beautiful. This honesty builds trust with her audience. They know that what they’re seeing is not a performance but a reckoning. And because of this, they respond with their own honesty. Many of the people who contact her share their own stories, expressing relief at finding art that speaks to what they’ve endured. In this way, Janelia’s vulnerability becomes an ethical commitment. She does not shy away from the dark corners of her mind because she knows that others live there too. And in illuminating those spaces, she does not offer solutions or false hope. Instead, she offers something rarer—recognition, empathy, and truth.
Emotional Catharsis and Recovery
While Melancholy – a Girl Called Depression is steeped in sorrow, it is not without light. Embedded in the series is the quiet suggestion of recovery. The mere act of creating the series is itself a sign of resilience. Depression, by its nature, often steals the desire to create. It smothers motivation, silences joy, and clouds vision. That Janelia could transform this state into a body of work this powerful is a triumph. It is evident that pain, when processed and externalized, can lead to emotional catharsis. Not cure. Not escape. But relief. Art, in this context, does not erase suffering—it reorganizes it. It allows the sufferer to look at their pain from a different angle, to interact with it on new terms. For Janelia, photography became a way to do just that—to take something amorphous and overwhelming and make it visible, tangible, and eventually, manageable.
Reclaiming the Narrative of Depression
Mental illness often comes with a narrative imposed by others—medical professionals, family members, and media portrayals. These narratives can be limiting, even damaging. They can reduce people to symptoms, diagnoses, or stereotypes. Janelia’s work resists this reduction. Through her self-portraits, she reclaims authorship of her own story. She becomes both subject and storyteller. No one is speaking for her. No one is defining her experience but her. This reclamation of narrative is an act of empowerment. It allows her to assert that depression is not the whole of her, but a part—one that she understands intimately, one that she has chosen to explore rather than conceal. In doing so, she models a form of agency that is crucial for others dealing with similar issues. She shows that while we may not be able to control our emotional states, we can control how we understand and express them.
The Enduring Legacy of a Personal Project
Though the Melancholy series began as a personal project, its resonance continues to grow. It has become more than an art piece—it has become a reference point for conversations around mental health. Teachers have used it to start discussions in classrooms. Therapists have shared it with patients. Artists have cited it as inspiration. Its legacy lies in its emotional truth and its refusal to shy away from discomfort. It exists in the cultural space where vulnerability meets vision. And in that space, something meaningful always emerges.
Concluding Reflections
At the heart of Janelia Mould’s work is a question: what happens when we show the world our wounds without apology? Her answer, expressed through every image in Melancholy – a Girl Called Depression, is clear. When we show our wounds, we do not weaken—we connect. We do not isolate—we invite. And we do not fall apart—we transform. Through her lens, Janelia has given depression a shape, a body, and a story. She has made the invisible visible. And in doing so, she has offered a gift to anyone who has ever felt lost inside their own mind—a map made of shadows, guiding them toward recognition, understanding, and perhaps, healing.
Navigating the Artistic Struggles and Mental Health Advocacy
While Cheeky Ingelosi's portfolio evokes admiration and sometimes quiet awe, behind the scenes lies a continuous, vulnerable confrontation with the very emotions she captures. As an artist whose practice is deeply introspective, her work often treads on emotionally intense ground. When discussing her most haunting photo series, Cheeky revealed that each concept often begins with a trigger—an emotional memory, a depressive episode, or even a lucid dream that won’t let go.
“Sometimes I don’t even know I’m falling into a depressive cycle until I start taking photos again,” she shared. “It’s like my camera senses it before I do.”
Her creative process is rarely linear. Some days, it means spending hours curled in bed, letting the weight of the world press down, unable to create. Other days, it’s manic bursts of creativity, where she stages, shoots, edits, and releases work within a matter of hours. It’s chaotic, but it’s her truth. And it’s a truth that resonates with many.
Cheeky doesn’t shy away from showing the raw, unpolished moments. In fact, she often uploads behind-the-scenes clips of her shoots, struggling to keep herself upright or breaking into tears midway through posing. Rather than damaging her professional image, these moments have forged a stronger bond with her audience. Followers from around the world have reached out, sharing how her openness helped them feel seen and less ashamed of their own struggles.
But vulnerability is a double-edged sword. With visibility also comes criticism, misunderstanding, and sometimes cruelty. Cheeky has experienced it all—from trolls calling her “dramatic” to people suggesting that she glamorizes depression.
“It used to hurt. But now I realize that if my work provokes that much emotion, it means it’s doing something right,” she explained. “I’m not here to be liked—I’m here to be real.”
Her advocacy doesn't end with Instagram captions or artistic statements. Cheeky has partnered with mental health organizations across South Africa and beyond, offering workshops on expressive therapy, running photo walks for trauma survivors, and donating portions of her print sales to suicide prevention initiatives. Her mission is simple yet profound: to show others that darkness can birth beauty.
Building a Safe Space for Artists
What makes Cheeky Ingelosi’s work even more impactful is her role as a mentor and space-holder for other artists battling similar demons. In recent years, she’s launched "The Frame Within", an online collective where young photographers can showcase conceptual work related to emotional healing, trauma, and neurodivergence.
“We’ve got members from Nairobi to New York. It’s wild how universal the pain is—and how universal the need to process it through art is,” Cheeky noted.
This digital gallery has grown into a safe space, free from judgment or aesthetic elitism. Here, blurry images, symbolic chaos, and emotionally charged captions are not only accepted but celebrated. Cheeky curates the exhibitions herself and offers guidance to emerging artists navigating the thin line between expression and emotional overwhelm.
Her mentorship philosophy centers on compassion. Rather than pushing for productivity or aesthetic perfection, she urges artists to “be honest first, and good later.” In doing so, she flips the traditional hierarchy of the art world on its head, making space for mental health before technical mastery.
Her workshops often begin with silence—a moment to breathe, to exist without the pressure to perform. Then, slowly, she invites participants to turn their thoughts into visual metaphors: a torn sheet for anxiety, a water-filled shoe for grief, a cracked mirror for identity loss. These visual prompts become cathartic self-portraits, not made for likes or gallery walls, but as emotional lifeboats.
“I always tell them—your lens can become your lifeline.”
Cheeky's Legacy: More Than Just Photos
As the interview drew to a close, we asked Cheeky what she hopes people will take away from her work. She paused—a long silence stretching across the call. Then, with quiet certainty, she answered:
“That it’s okay not to be okay. That you can create even from the wreckage. And that your pain doesn’t disqualify you—it makes your vision richer.”
She is not just photographing her story—she’s reframing society’s understanding of pain, art, and healing. Her work doesn't ask for pity; it demands presence. And in doing so, Cheeky Ingelosi reminds us all that vulnerability is not weakness—it’s the birthplace of art.
Conclusion
In an age where curated perfection dominates social media, Cheeky Ingelosi is a rare force of authenticity. Her conceptual photography doesn’t just document pain—it transforms it. From battling her own depression to building a global community of emotionally driven artists, Cheeky’s lens has become a source of light for many navigating the darkest corridors of their minds.
She reminds us that healing is not linear, art is not always beautiful in the traditional sense, and that expression can be a form of survival. Through her lens, brokenness becomes poetry, and silence finds a voice. Her work stands as a testament to the power of creativity, not as an escape from suffering, but as a companion to it.
As the world slowly learns to take mental health seriously, artists like Cheeky are lighting the way—not just with their cameras, but with their courage.